1,164 Royalty-Free Audio Tracks for "43 Limit Tuning And Intervals"

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Thirteenth chord CMA13(sharp11).

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Gruppen tone row (Stockhausen 1963b, 116; Harvey 1975, 58; Misch 1998, 161; Whittall 2008, 185).

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

11-tet scale on C. MIDI pitch bend matches intervals.

*16 steps in 17 equal temperament on C = B♮ (Easley Blackwood's notation). Equal-tempered: 216/17:1 = 1129.41 cents. MIDI pitch bend: 53,73 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M7 on ~54,73 for 1129.44 cents.

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

*8 steps in 72 equal temperament on C. Equal-tempered: 28/72=1/9:1 = 133.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 134.375 cents rather than 133.336. New version a m2 on 85,74 for 133.3251953125 cents rather than 133.336.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

All-trichord hexachord (6-Z17). Created by Hyacinth (talk) 12:03, 22 September 2010 using Sibelius 5.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

I'm a very bad guitar player, but i have a great limiter in pure data.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Mother chordMutterakkord

An orchestra tuning before a show.

Mono recording of a 440 hz tuning fork with resonance box, full decay time = more than 1 minute. I used the measurement microphone k4 by arnold esper placed directly in the resonance box. Recorded in the anechoic chamber for analysis and measurement purpose mostly.

This is the sound of seven chakra tuning forks that have been struck and then placed on a wooden box.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Nylon string guitar with open tuning.

An electric guitar is tuned to standard tuning through an amplifier.

Vibratone (like a big cylindrical tuning fork) struck once, rings on e note, decays to silence. Sennheiser me-66 shotgun condenser into sony mz-r70 minidisc, transferred into adobe audition at 44. 1khz/16bit through edirol ua-20 usb audio interface. Noise reduction via adobe audition.

Bell with metasynth.

This is a sawtooth waveform suitable for easily tuning guitar by ear, comprised of 20 seconds each of e-a-d-g-b-e in sequence. Adjust guitar volume to same volume as the tone, ideally through the same audio output. Tune the string close to the tone, then listen for the subtle beat-frequency indicating not-quite-perfect tune. When the beat frequency goes away, your guitar string is in perfect tune. Also useful for adjustable bridges. The open string and its 12th fret octave will both produce no beat-frequency when the bridge is adjusted properly.

Glass slide on acoustic guitar with open g tuning. Recorded in the toilet with an old "walkman" type cassette recorder.

Arpeggio played on yamaha acoustic guitar with non-standard tuning. Recorded with a cheap condenser mic taped inside the body. Try combining the different phrases in the sample pack.

For free.

I've made a burnout with my kawasaki ninja zx6r and recorded that.

Tuning a ukelele.

Rotating the tuning wheel of panasonic rq-a220 player/recorder/radio on august 18, 2015. Fm mode.

Full diatonic fifteenth chord from Listz on B

Fifteenth chord from Perry on C

This a amaj drone tone created from an orchestra tuning sound segment (http://www. Freesound. Org/people/acclivity/sounds/24205/). Through an harmonic model, the low brass section have been separated of the trumpets and then a series of harmonic (harmonizer) transformations have been done in order to include a major third and a perfect fifth in the f0 = a2 harmonic serie. The a tuning is a little bit down from 110hz (~106-107hz).

Ambience of an traditional austrian coffeehouse. Recorded within the bar. Very light walla, dishes, coffeemachine, key and money rattles from the waiter, water drain, garbage,. . . Recordingdevice: tascam dr-100mk2, 44,1khz, 24 bit.

Xylophone clock sound, tune gets faster towards end as time runs out. [cc zero].

Sportsbike passing at speed on a racetrack. Zoom h1 internal mics.

Sportsbike passing at speed on a racetrack. Zoom h1 internal mics.

As always, these are loops from my unfinished tracks, and like always, do what ya like with them :).

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

A kick i made for my contribution to this: https://soundcloud. Com/disco-house-ensemble/corpse-exquisite-ii.

Som de violão com cordas de nylon sendo afinado. Gravação feita com microfone condensador akg 414. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.